This week, I’d like to touch a little bit more upon an author’s toolkit when it comes to writing. Some of it is in the usual vein of what we’ve seen for decades: pen (often black or blue ink with red for editing) and paper; in ye olde days, a typewriter once those were invented, which upgraded into word processors, computers, tablets, and laptops with either Notepad or Word on said devices; highlighters, white-out, and envelopes and stamps. Let’s keep in mind that self-publishing wasn’t the easiest nor cheapest thing to do until the turn of the century and millennia when internet access was a bit more accessible and yet still improving with speed and the creation of websites and fiction hosting domains. Before self-publishing, envelopes and stamps were quite necessary for those seeking to query their stories to either an agent or a publisher. Self-publishing, while still riddled with a lot of bad writing, has still become a respectable option for many, especially for BIPOC, LGBTQ+, and niche authors. It’s also become more affordable and accessible for authors who are often repeatedly rejected by traditional publishing.
This isn’t about the merits of self-publishing. Self-publishing is part of an author’s toolkit, much in the same vein that social media, editors, artists, and critique groups are. Traditional publishing, agents . . . all part of an author’s toolkit. I might “scream” at people about what their options are, but I’m also not one to tell another author which publishing path is best. Most authors I know are among the “that’s up to the author for what’s right for them” mindset.
There are some . . . new things to be added into an author’s toolkit. At least, they’re relatively new to me.
First up, ARC readers. Now, I honestly have no idea of the history of ARC readers as of writing this entry. I know that they exist, that advanced copies have existed for at least a few decades now, but I don’t know for how long the actual practice of assembling ARC readers has been going on. I wasn’t aware of ARC readers in 2014, when I published “Portal to Gaming”, but my lack of knowledge isn’t exactly the best indicator. That just means I personally didn’t know about it at the time. It is my understanding that ARC readers are an option, and it’s now easily more available for authors.
I love how the internet can connect us all like that. 😊
As I have no personal experiences with ARC readers, I have no concrete opinions about ARC readers in general. I have friends who are ARC readers, and, because of them, I know there are sites out there designated for ARC reading. I might sign up for one. I’m really on the fence about ARC readers. What I have heard is more about bad author behavior than about bad ARC reader behavior. Not saying that there isn’t some, but it’s usually more on the author’s part than the reader’s.
There is etiquette involved with ARC readers. I’ve learned enough through observation to know that there are very few things authors should (please note, I hate the word ‘should’, but it’s the only word that’s sufficient) be requiring from their ARC readers. At most, I believe that we, as authors, should only require the following when it comes to our ARC readers. 1 – don’t put it on a pirating website, and 2 – be honest in any and all reviews. Beyond that, anything else, even to me as an author, sounds like a series of huge red flags.
The next new-to-me toolkit addition is that of the sensitivity reader. My understanding of what a sensitivity reader does is that it’s quite similar to that of a developmental editor when it comes to content. The sensitivity reader’s job is to be sure the author is handling delicate subjects with grace and poise, delicate subjects like mental health, sexual assault, domestic violence, child abuse, and slavery . . . basically anything that can and will cause a person to have a deep-seeded emotional response and in how marginalized groups are represented.
Out of these two additions to the writer’s toolkit, the one that strikes me as being more important than the other and one that I will save up money for is that of the sensitivity reader. This is the person or group of people who will let you know how you’ve handled specific characterizations and subjects and where you can improve. They can help an author with those complexities and nuances. This is definitely a tool for every author who seeks to represent groups they are not familiar with. It’s best to not utilize your best friends from marginalized communities for your work, to be your sensitivity reader. The chances of them catering to your feelings are higher than what an actual sensitivity reader will do.
Those are the new to me additions to the toolkit. As we all know. social media is in the mix. I’ve taken out Twitter/X because I no longer wish to support the transphobic turd that’s Elon Musk. I am still on Facebook and Instagram, and I’ve expanded to Tiktok, Lemon8, Clapper, Threads, Fanbase, MeWe, and I’m on a waitlist for BlueSky. I’m looking to set up a YouTube channel in the next year or so. (I’m also on Twitch and Discord, but I haven’t done anything with them in a little over a year, not since Star Ocean: The Divine Force was released.) You can find me as either Victorea Ryan Meadow or Enchanted Realms Fiction. You’ll probably find a lot of coffee mug pictures.
I do realize that this isn’t the most nuanced entry I could be writing. I really do have a limited knowledge base when it comes to ARC readers and sensitivity readers, and I do believe that, if you’re like me and you’re utilizing an online critique group for polishing your work, you can get some of the nuances you need from those groups. It’s really just a basics of what we authors have available to us when it comes to our personal writing journeys. I’ll be touching on critique groups next week.
As for what tools I’m utilizing, beyond the basics needed for the actual writing, my major writing purchases goals are a website and more ISBNs. I know I don’t need to purchase them, that many of the self-publishing websites out there (like the ‘Zon) offer a free ISBN for each format. However, I don’t like being completely at any publishing website’s mercy in a situation like that. It’s a personal choice of mine that helps me to feel more comfortable when it comes to what gets assigned to my books.
For those who are looking to self-publish, please note you do have options. My experiences are with Amazon, Draft2Digital, Smashwords, and Nookpress. I also have an account with Lulu, and, thanks to Tiktok, I have learned about IngramSpark, which helps with self-publishing, and BookFunnel, which helps with ARC readers.
These are the sites I’m aware of when it comes to self-publishing. My knowledge and experiences are mere drops of water in the bucket. I do recommend that any person seeking publication of any kind do the due diligence of finding the right path, the right tools for them. The publishing path isn’t the same for everyone.